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Jan Davidz de Heem

1606-1684 Dutch Jan Davidz de Heem Galleries

Gemälde ID::  56095
still life of fruit
mk247 c.1670,oil on canvas,11x9 in,28x23 cm,ashmolean museum,oxford,uk
1606-1684 Dutch Jan Davidz de Heem Galleries

   
 

 

 
   
      

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Juan Bautista de Espinosa

(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.

Gemälde ID::  74921
Still Life Of Fruit
75 X 60 cm (29.53 X 23.62 in) cjr
(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.

   
 

 

 
   
      

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Joris van Son

1623-1667) was a highly popular Flemish Baroque painter of fruit and flowers, in banquet style on a plank, but also in garland form. He seems to have been influenced by Jan Davidszoon de Heem, since his subjects follow his style quite closely. According to Houbraken his paintings were prized for preserving summer plenty in the middle of winter. In a poem by Cornelis de Bie, it is written that his fruits would tempt a pregnant woman. His paintings hang in many european museums, and the Dutch RKD has over 70 known works by him on record. He signed his works JORIS VAN SON. His students were Frans van Everbroeck, Jan Pauwel Gillemans II, and Norbert Montalie.

Gemälde ID::  76065
Still Life of Fruit
1663 Medium Oil on canvas Dimensions 76 x 61 cm (29.9 x 24 in) cyf
1623-1667) was a highly popular Flemish Baroque painter of fruit and flowers, in banquet style on a plank, but also in garland form. He seems to have been influenced by Jan Davidszoon de Heem, since his subjects follow his style quite closely. According to Houbraken his paintings were prized for preserving summer plenty in the middle of winter. In a poem by Cornelis de Bie, it is written that his fruits would tempt a pregnant woman. His paintings hang in many european museums, and the Dutch RKD has over 70 known works by him on record. He signed his works JORIS VAN SON. His students were Frans van Everbroeck, Jan Pauwel Gillemans II, and Norbert Montalie.

   
 

 

 
   
      


Gemälde ID::  76163
Still Life of Fruit
probably early Medium Oil on canvas cyf

   
 

 

 
   
      

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Aelst, Willem van

Dutch Baroque Era Painter, 1627-ca.1683 Studied under Otto Marseus van Schrieck. Students included Rachel Ruysch. Specializes in Still Life.

Gemälde ID::  76308
Still Life of Fruit
Date ca. 1660(1660) Medium Oil on canvas cyf
Dutch Baroque Era Painter, 1627-ca.1683 Studied under Otto Marseus van Schrieck. Students included Rachel Ruysch. Specializes in Still Life.

   
 

 

 
   
      

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Juan Bautista de Espinosa

(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.

Gemälde ID::  76485
Still Life Of Fruit
Dimensions 75 x 60 cm (29.5 x 23.6 in) cyf
(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.

   
 

 

 
   
      

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Osias Beert

1580-1624 Flemish Osias Beert Galleries

Gemälde ID::  96795
Still Life of Fruit
1610s Medium oil on oak panel cyf
1580-1624 Flemish Osias Beert Galleries

   
 

 

 
   
      

Osias Beert
1580-1624 Flemish Osias Beert Galleries
Still Life of Fruit

        
 
   
 

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